Wednesday, 11 February 2009

'ello 'ello 'ello

Last night I watched ITV! Worse than that, I watched In the Line of Fire, a fly-on-the-wall 'documentary' about CO19, the Metropolitan Police's armed squad. It was clearly part of the coppers' post-Menezes PR push, so I was curious to see how they'd deal with that episode. In the end, it was handled with kid gloves - the critical comments weren't presented by the narrator but relegated to clips from news broadcasts and pictures of newspaper hoardings - as though the narrator couldn't bring himself to utter any criticism of the police. The head of CO19 was filmed giving his position without any questions - so there was no chance to challenge him. No mention at all was made of the jury's decision to disbelieve key police claims about the circumstances of the shooting. 

The effect, therefore, was to remove any credibility: this wasn't a documentary, it was a hagiography, shading into propaganda. No doubt the circumstances of gaining access to the squad implicitly required a positive spin, but the whole exercise smacks of a concerted public relations exercise on behalf of the police, and of spineless, lazy TV programming by a media which is becoming increasingly rightwing. I was quite amused to see India 99 appear on the show - it's the police helicopter which has its own show, Sky Cops on the BBC. That's a postmodern moment. Will the In The Line Of Fire incident appear in the next series of the Jamie Theakston-narrated show? Are there any police cars without a TV crew? 

I do think that this mindless deification of the police across all channels for the sake of exciting pictures of 'goodies' v. 'baddies' is dangerous. There's never any questioning of policing methods (why are they all in cars?) Aren't they ever wrong? If anyone remembers the Guildford 4, Birmingham 6, West Midlands Serious Crime Squad, Miners' Strike or any of the peace, poll tax, anti-capitalism, anti-war or anti-racism protests, you'll know that policing is (and always has been) far more nuanced. More than that, these shows promulgate the idea that crime is a matter of 'good' working class people protecting 'us' from 'bad' working class people - devoid of social context. I don't remember any shows following the activities of the Serious Fraud Office or any of the other operations going after white-collar crime - though perhaps that's because such operations are usually failures. It's far easier to pretend that crime is all about drunk black teenagers nicking cars and claiming too much child support rather than bankers defrauding us all of billions of pounds.

1 comment:

Benjamin Judge said...

Funnily enough I watched Die Hard 4.0 yesterday which is very similar pro-police propaganda.

But with more explosions obviously.