Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Monday, 14 January 2013

Hackademia's first martyr?

While you lot have been truffling in new media's celebrity trough, distributing Stephen Fry's latest aperçus and OMGing over Justin Bieber's latest calculated transgression, there's been a torrid debate about what social media will do to academia.

Like most fields, there's a sense that the ease with which material is distributed will overturn the dominant forces and vested interests which restrict the free flow of information. And of course there's a determined fightback from those vested interests. I'm not talking about the generators of knowledge, by the way. We're like pre-capitalist cottage weavers: not alienated from our work like industrial factory labourers, but exploited just the same. We take tax-payers' money in the form of research grants and cash from students' loans (thanks, kids - appreciate it) and turn some of it into academic literature: books, journal articles, conference papers and the like. I say we, I mean 'they'. I turn in a research paper roughly on the schedule Jesus turns up in Missouri, which unless you're a Mormon, isn't very often.

What happens to these papers? We give them to publishers for free. In some cases, especially prestigious journals, we actually pay them to get our work in print. Then they charge £50-100 for a book, and several thousand £s per year for journal access. It's largely profit: we hand in our work in ready-to-print condition, and the editors are usually academics working for free career progression too. It's not like the music industry, where the musician eventually gets paid something if you pay for a record rather than downloading it. All the publishers do is print and post things – and in the internet age, I'm not sure that's quite enough to justify their business model.

So in short: you pay for it, we write it, publishers profit handsomely from it – and nobody reads it. Especially you people who pay for the research. It stinks.

Enter Aaron Swartz, a nice young man who decided that information the public paid to generate should be free to read. In a quixotic personal gesture, he hid a laptop in a server cupboard and downloaded every article on JSTOR (an academic publication repository) he could cram onto his hard drive, planning to dump them on the internet where you could all see what you'd paid for. And perhaps use it to write a new generation of enlightening texts unhampered by not being able to afford to pay for them again.

With the connivance of MIT, his employer, Aaron was arrested and charged with multiple counts of theft – we all know that the United States hates copyright breaches more than juvenile gun massacres – and legislates accordingly. He faced decades in prison. True to form, he even posted his court documents for free, evading the US Government's pay-per-view system (?!) until they shut him down.

A few days he killed himself. I wish he hadn't: this argument needs to be had on intellectual and political grounds rather than individualised tragedy, but I'm horrified and saddened by the burden he took on, and the effect it had on him. Swartz is a hero, but he's also emblematic of a generation which lacks political skills in the widest sense. The new media age has made us all radically individualist. All the virtues of mass political action have been discarded as slow and cumbersome but having dumped collective action, the individual is left horribly exposed when a solo mission goes wrong.

That's why I disapprove of Aaron Swartz's action. He was right to download and circulate all these articles - but doing so on his own, without building a movement, didn't advance the cause and didn't help him. We don't need martyrs, we need a critical mass to overwhelm the vested interests. This poor man acted in the best of interests, but lacked the ideological resources to turn a private conviction into something more than a personal crusade. Yes, there's a network of supporters that turned out for Swartz and there's a lot of buzz on the internet about copyright and academic freedom, but these loose, temporary alliances don't build the structures we need to achieve our goals. Aaron loaded millions of papers onto a little laptop: cool in a Goonies sort of way, but a gesture rather than a grown-up strategy of subversion.

t's a general problem: we've grabbed all the advantages of net activism and dumped the skills of the analogue generation. We're decentralised, but we're also alone. Without solidarity, we're exposed, and often reduced to headline-grabbing stunts which bring the wrath of states and corporation down on the heads of indidividuals like poor Mr Swartz. I know this sounds both old-fashioned and cold, but one of the joys of Old Politics is that you're never alone. In my work as a union officer, I know that I'll never be left to face management alone. An attack on one is an attack on all, and there are real-world consequences for anyone who crosses us. For Aaron, the real-world consequences fell entirely on him, because he'd failed to patiently build the networks, alliances and structures required for real-world action.

For all that, Aaron Swartz is a hero. But he didn't need to die.

Wednesday, 9 March 2011

The life cycle of an author

I don't do creative writing: nothing to say and no literary talent. But friends do, and they're all very good. Publishing, however, is difficult.

Here's artist Tom Gauld's explanation of the short story writer's career:

Friday, 3 April 2009

I live in the first circle

Not of Hell. Though in Dante's Inferno, I'd be in good company because this is where all the Greek and Arabic philosophers dwell - all those who haven't sinned but weren't Christian and therefore can't be saved. Saladin's there, as are the Hebrew figures from the Old Testament and of course, unbaptized babies.

No, apparently I qualify for the first circle of bookbuyers who are saving publishers from the worst of the economic crash. According to the Literary Review, for which my parents gave me a subscription for Christmas,

First-circle book buyers are stubborn in their habits. The largest proportion of them are women over thirty, and they are the chief sustainers of the fiction market. On average, first-circle readers buy up to twenty books a year, and if there is a twenty-first or a twenty-second that takes their fancy, they will buy that too. If they really like a book they buy multiple copies of it to give as presents.

Now apart from being a woman (and let's face it, life takes us to strange places so let's not rule it out yet), I fit most of this bill. I've bought a lot of copies of Thoreau's Walden for people in my time, I'm over 30 (hard to believe, looking at my angelic, youthful complexion) and I buy … oh, more than 20 per year. It's 105 so far this year which is just over one per day, not including books bought for other people.

So OK, you could, as Laura has done, describe this as a disease, or an addiction (thanks Neal), but I prefer to see it as a) doing my economic and literary duty and b) saving the environment by insulating my hovel. They make me happy too. Except for the ones which depress me (pretty much anything on politics and the environment: we are clearly all going to die slowly, miserable and avoidably because we'd all rather stick our fingers in our ears, shout la-la-la and then drive our SUVs to the airport for a weekend break - if that's you, kill yourself. I mean that, you selfish, evil, poisoning bastards).

Sunday, 1 February 2009

A few days ago, I toyed with buying Compact Editions' The Mill on the Floss: Books in Half the Time solely to annoy those of my colleagues charged with 'encouraging' our students to read weighty Victorian novels - it's an edition so abridged that it's half the length. Essentially, Weidenfeld and Nicolson, the publisher behind the imprint, have become literary rapists. 

I resisted temptation, though I'd love to know what was cut out. More fun, however, is this new genre: classic novels crossed with themes from other genres. I came across this announcement on the Librarything blog - order your copy now!
Pride and Prejudice and Zombies from Chronicle Books, due out in April. According to the description:
"Pride and Prejudice and Zombies -- Pride and Prejudice 
and Zombies features the original text of Jane Austen's beloved novel with all-new scenes of bone-crunching zombie action. 

As our story opens, a mysterious plague has fallen upon the 
quiet English village of Meryton — and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she's soon distracted by the arrival of the haughty and arrogant Mr. Darcy. 

What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers—and even more violent sparring on the blood-soaked battlefield 
as Elizabeth wages war against hordes of flesh-eating undead. Complete with 20 illustrations in the style of C. E. Brock (the original illustrator of Pride and Prejudice), this insanely funny expanded edition will introduce Jane Austen's classic novel to new legions of fans."