Showing posts with label George Eliot. Show all posts
Showing posts with label George Eliot. Show all posts

Thursday, 13 August 2009

"This must be Thursday," said Arthur musing to himself, sinking low over his beer, "I never could get the hang of Thursdays."

I am forsaking you, leaving you to wander the streets clutching bottles of Mad Dog 20/20 (great website, by the way), staring with mute desperation at passers-by, imploring them to pretend to be Plashing Vole for just a few seconds.

In other words, I'm having a long weekend, returning to my keyboard on Tuesday afternoon, probably.

Which means you'll be needing a Friday conundrum to keep you going.

What snippets of high or popular culture summarise your understanding of the world?

There are so many for me. I loved Marvin the Paranoid Android's observation that 'the dew has fallen with a particularly sickening thud this morning', and the talkshow host's claim on The Simpsons that 'your tears say more than real evidence ever could'. Arthur Dent is quite a hero, and I'm just not getting into the Peep Show debate. Chris Morris has a peculiarly accurate though misanthropic approach to life.

Arthur Dent (from Douglas Adams's Hitchhiker's Guide to the Galaxy series:
I seem to be having this tremendous difficulty with my lifestyle. As soon as I reach some kind of definite policy about what is my kind of music and my kind of restaurant and my kind of overdraft, people start blowing up my kind of planet and throwing me out of their kind of spaceships!
"This Arthur Dent," comes the cry from the farthest reaches of the galaxy, and has even now been found inscribed on a deep space probe thought to originate from an alien galaxy at a distance too hideous to contemplate, "what is he, man or mouse? Is he interested in nothing more than tea and the wider issues of life? Has he no spirit? Has he no passion? Does he not, to put it in a nutshell, fuck?"
The regular early morning yell of horror was the sound of Arthur Dent waking up and suddenly remembering where he was.
Those who wish to know should read on. Others may wish to skip on to the last chapter which is a good bit and has Marvin in it.
Marvin:

Wearily I sit here, pain and misery my only companions. And vast intelligence, of course. And infinite sorrow.

Why stop now just when I'm hating it?

Life, loathe it or ignore it, you can't like it.


Douglas Adams:
I love deadlines. I love the whooshing sound they make as they fly by.

George Eliot:
The world outside the books is not a happy one, Maggie felt (from The Mill on the Floss).

Meanwhile, here are a few lines from Iain Sinclair's Downriver, just because I like them:
A shifty unshaven polymath nebbish, with a cocky drone, and a patter so tedious it could have been marketed as a blood-coagulant, was lecturing a dangerously healthy-looking Californian couple. They were shrink-wrapped, sterile, irradiated like a pair of Death Valley grapes. They socked vitamin-enhanced aerobic vitality at you, so hard you could wish on them nothing but a catalogue of all the most repellent diseases of skin and bone and tissue; all the worst back numbers from the cursing books of Ur, Uruk and Kish. You were obliged to super-impose on their boastful skeletons the historic treasures of old London: growths, malignancies, rickets, nose-warts, furry haemorrhoids, palsies, fevers, sweats, bubos, wens, mouth-fungus, trembles, and pox scabs.

It's a great book - much more wordy, as you can see from this excerpt, than my usual taste, but it's got breadth of imagination and a real nasty swipe at the wideboys, bankers, property developers and all that crew who happily demolished old London to build poxy designer flats for yuppies. It's therefore a very good book to be reading in the midst of our current situation.

Sunday, 1 February 2009

A few days ago, I toyed with buying Compact Editions' The Mill on the Floss: Books in Half the Time solely to annoy those of my colleagues charged with 'encouraging' our students to read weighty Victorian novels - it's an edition so abridged that it's half the length. Essentially, Weidenfeld and Nicolson, the publisher behind the imprint, have become literary rapists. 

I resisted temptation, though I'd love to know what was cut out. More fun, however, is this new genre: classic novels crossed with themes from other genres. I came across this announcement on the Librarything blog - order your copy now!
Pride and Prejudice and Zombies from Chronicle Books, due out in April. According to the description:
"Pride and Prejudice and Zombies -- Pride and Prejudice 
and Zombies features the original text of Jane Austen's beloved novel with all-new scenes of bone-crunching zombie action. 

As our story opens, a mysterious plague has fallen upon the 
quiet English village of Meryton — and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she's soon distracted by the arrival of the haughty and arrogant Mr. Darcy. 

What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers—and even more violent sparring on the blood-soaked battlefield 
as Elizabeth wages war against hordes of flesh-eating undead. Complete with 20 illustrations in the style of C. E. Brock (the original illustrator of Pride and Prejudice), this insanely funny expanded edition will introduce Jane Austen's classic novel to new legions of fans."