Showing posts with label Jane's Addiction. Show all posts
Showing posts with label Jane's Addiction. Show all posts

Wednesday, 5 August 2009

Another day, another present

This morning, Ben (with stunning generosity), has sent Jane's Addiction's Ritual de lo Habitual. I think I see what he's up to with this, the Pantera and the Faith No More. He thinks I listen solely to fey, twee indiepop and need TOUGHENING UP!

Actually though, I loved this album when I was a young man and in my prime, so I'm very happy to have it again. This morning I started with the Sufjan Stevens cover of 'O Holy Night' from the sometimes overblown Songs for Christmas, then the Salvation Army Choir's rendition, then straight into Fucking Hostile (Pantera) and now I'm listening to Stockhausen, so it's an eclectic day already. I've dealt with a lost and confused student and done another 60 lengths in the pool, so I've sort of achieved things.

How are you getting on with The Culture, Cheese and Pineapple? My choice is coming up soon, and it's a humdinger.

Andrew Marr and Karlheinz Stockhausen - separated at birth? Marr does sort of conduct while interviewing, with his crazy long arms.


Saturday, 9 May 2009

In the fucking loop

I spent yesterday afternoon swearing, with admittedly more perspiration than inspiration. so perhaps yesterday evening wasn't the best time to see In The Loop, the big-screen extension of The Thick of It, Armando Ianucci's cynical, brilliant examination of the way politics has been reduced from principles to venal positioning. It is without doubt the sweariest film since South Park. It is superior to the latter, however, thanks to its relentlessly innovative swearing. This is a family blog, so I won't quote any of the horrifyingly memorable phrases, but urge anyone who thinks that swearing is neither big nor clever to see this film. It will convert you. I certainly found it difficult to shake the habit after yesterday. Steve Coogan's cameo is also brilliant.
This clip is extremely unpleasant so don't play it if you're sensitive to finely-crafted Anglo-Saxon.



After the film we went to the Dilshad restaurant in Wolverhampton. We chose it because it has hundreds of photos of formerly popular entertainers who'd eaten their after performing at the nearby Grand Theatre. My favourite photograph is of Jonathan King (celebrity unrepentant paedophile), Gary Bushell (unrepentant, untalented, unpleasant far-right 'journalist') enjoying the company of a rather young boy. Perhaps they'd ordered the chicken…

I'd intended to take a picture of this historic summit for your delectation, so imagine my horror to find that the venue had undergone a tasteful, minimalist, stylish makeover. Yes, the food was stunningly good, but something special has been lost.

To console ourselves, we subsequently attended the Posada and then the near-deserted Little Civic. I love that place when it's empty. The DJ is open to requests and has a highly-developed love of pre-Britpop Real Indie which I share. Without the check-shirt-and-shaven-head brigade in evidence, I (and occasionally one or two of my friends) could dance like thirty-something losers without the usual mockery and contempt. For the first time ever, I heard Stereolab in a public place, and this DJ hero played Felt, Field Mice and the Go-Betweens without even being asked. Some good Breeders and Jane's Addiction were introduced to the mix as well. 'Props' to this unsung hero, as I believe some people say in these situations.