You may have noticed my general absence from the ether yesterday: I'm utterly swamped with marking, preparation, planning for next week's strike, writing the extra lecture on Literature and the West Midlands for the special University Day we're having in a weeks time, and all the other myriad things which all seem to need doing right now.
Coincidentally, this jolly piece popped up on my iPod this morning: Bonnie 'Prince' Billy's 'Another Day Full of Dread' (though it's actually quietly defiant):
And it's so wonderful to hear John Peel's voice. I miss his show very much.
Showing posts with label Bonnie Prince Billy. Show all posts
Showing posts with label Bonnie Prince Billy. Show all posts
Friday, 25 November 2011
Friday, 17 December 2010
Thursday, 18 November 2010
Lo-fi, country style
After the hipster folk of Bon Iver, we come to Bonny 'Prince' Billy - a bit of a counterculture pin-up, one of those singers who's a cult amongst other musicians.
Be warned - there's no end to the tale of the Bonnie Prince. He's been going since 1993 under a bewildering range of names, including Palace Brothers, Palace Music, Palace Songs, Palace, Will Oldham and Bonnie 'Prince' Billy - and there are probably more I don't know about.
What can I say about the music? It's variable - sometimes sounding like the rougher end of Slint's math-rock noise, often country or what became 'alt-country', and usually pretty outspoken on matters of the heart - song titles include 'You Have Cum in Your Hair and Your Dick is Hanging Out' and 'When You Have No One, No One Can Hurt You'.
Recently, he's been sounding tender, though the lyrics aren't quite as loving as the music implies. Joya, the first 'Will Oldham' album, is one of my favourites.
However - we'll come to those in the fullness of time. For now, Bonnie 'Prince' Billy's 14 (!) albums (some of which are obsessive re-recordings of his older work) are the subject at hand. I See A Darkness is heartbreakingly beautiful. I've got them all on vinyl, but the only ones I have on CD (and computer are) Blue Lotus Feet, I See A Darkness, Beware, Joya, and The Wonder Show of the World.
Diving into them is like spending an educational evening with a tramp of dubious provenance but much experience and wisdom, most of it miserable. He'll always surprise you with a beautiful melody and inventive turn of phrase, but you have to forgive the deliberately primitive recording and the mumbled, beardy singing.
Which songs to recommend? 'Death To Everyone' is good at parties and very catchy. The whole album is like a rural goth with tongue firmly in cheek.
From Blue Lotus Feet, I'd go for 'One With The Birds' - it's fun and it namechecks Mogwai (a band I love) in the first lines.
From Joya, 'Open Your Heart' is pretty direct ('open your heart, let the snake in'):
Beware seems to strip the Prince back to bare bones - and hint at awareness that he's parodying himself - it's a lot of fun. Try 'You Can't Me Hurt Me Now':
Finally, of the Bonnie "Prince" Billy And The Cairo Gang work, I love 'Go, Folks, Go' - it's clearly a thinly disguised pop song.
Now that's how to do lo-fi. I'm off to slit my wrists, Appalachian style.
Be warned - there's no end to the tale of the Bonnie Prince. He's been going since 1993 under a bewildering range of names, including Palace Brothers, Palace Music, Palace Songs, Palace, Will Oldham and Bonnie 'Prince' Billy - and there are probably more I don't know about.
What can I say about the music? It's variable - sometimes sounding like the rougher end of Slint's math-rock noise, often country or what became 'alt-country', and usually pretty outspoken on matters of the heart - song titles include 'You Have Cum in Your Hair and Your Dick is Hanging Out' and 'When You Have No One, No One Can Hurt You'.
Recently, he's been sounding tender, though the lyrics aren't quite as loving as the music implies. Joya, the first 'Will Oldham' album, is one of my favourites.
However - we'll come to those in the fullness of time. For now, Bonnie 'Prince' Billy's 14 (!) albums (some of which are obsessive re-recordings of his older work) are the subject at hand. I See A Darkness is heartbreakingly beautiful. I've got them all on vinyl, but the only ones I have on CD (and computer are) Blue Lotus Feet, I See A Darkness, Beware, Joya, and The Wonder Show of the World.
Diving into them is like spending an educational evening with a tramp of dubious provenance but much experience and wisdom, most of it miserable. He'll always surprise you with a beautiful melody and inventive turn of phrase, but you have to forgive the deliberately primitive recording and the mumbled, beardy singing.
Which songs to recommend? 'Death To Everyone' is good at parties and very catchy. The whole album is like a rural goth with tongue firmly in cheek.
From Blue Lotus Feet, I'd go for 'One With The Birds' - it's fun and it namechecks Mogwai (a band I love) in the first lines.
From Joya, 'Open Your Heart' is pretty direct ('open your heart, let the snake in'):
Beware seems to strip the Prince back to bare bones - and hint at awareness that he's parodying himself - it's a lot of fun. Try 'You Can't Me Hurt Me Now':
Finally, of the Bonnie "Prince" Billy And The Cairo Gang work, I love 'Go, Folks, Go' - it's clearly a thinly disguised pop song.
Now that's how to do lo-fi. I'm off to slit my wrists, Appalachian style.
Monday, 23 March 2009
More books
Jessica Mitford's The Trial of Dr Spock… - in which lots of old square guys realized that the Vietnam War was a bad idea and joined the long-hairs on the street, got themselves arrested then put on a great performance in court.
Also: Bonnie Prince Billy's Beware. Feels a bit weird to buy it on CD as I've got the previous twelve on lovely vinyl.
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