One of the cultural things we did in Wroclaw was to visit the Panorama. Inside a fairly bold concrete building was a huge (15 metres high, 120 metre long) painting, cunningly blended with a real foreground. The subject was a battle near Wroclaw (Raclawicka) between Russia and the Polish rebels, led by Kozciuszko (pretty much the only battle the Poles won against anybody for several hundred years - and they lost the war). I'd heard of him in relation to the American War of Independence but didn't know anything about his fight for a free Poland. He was a cool guy and we should all hail him!
But this panorama had a fascinating history which was rather glossed over. Painted in the 1890s, it was stored by the Soviet regime for years after WWII, before being finally put on display in 1985. I can understand why the Russian-dominated USSR/allies wouldn't want to encourage Poles to visit a display of nationalist, anti-Russian pride. What I'd like to know more about is the decision-making process leading to the reversal of this policy. Poland was under martial law from 1981-1983 following the deviationist-nationalist activites of Solidarity. Was the decision to display the panorama a concession to Polish nationalists to placate them, or did it signify recognition in government circles that to survive they needed to disassociate themselves from the USSR?
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