Showing posts with label licence fee. Show all posts
Showing posts with label licence fee. Show all posts

Thursday, 6 March 2014

Kids, who needs them? Not the BBC.

So farewell, BBC3. You're being turned into a webpage to make room for BBC 1+1, which means that nobody will ever have to missed The One Show, Bargain Hunt or Songs of Praise ever again. Truly, your sacrifice will not be in vain.





What will we miss? Personally, I thought that Some Girls was the freshest sit-com on television for many years although I'm very much not the target audience, and I also adored Nighty Night. Other people will miss Family Guy, American Dad or – for some reason – Two Pints of Lager and a Packet of Crisps, Fuck Off I'm A Hairy Woman and My Life As An Animal.

The point is that being a fat bloke in his late 30s, BBC3 was not for me. It's for da yoof. I pay my licence fee not so that every channel shows stuff I want to watch: when I come to power, all the BBC would show is Jonathan Meades, Star Trek, New Tricks and rolling footage of whatever Mary Beard is doing at any point of the day.



Oh, and live coverage of the corpses of Andrew Neil, Michael Gove, Linda Snell and Melanie Phillips swinging from Tower Bridge having their eyes pecked out.

No, the point of the licence fee is that all citizens' cultural needs are catered for. Just because I'm not keen on Sun, Sex and Suspicious Parents and think the 'news' coverage was beyond embarrassing with its celebrity obsession doesn't mean that the people who watch it should be abandoned by the nation's broadcaster. The message from the BBC – now a whipped, beaten cur owned by the Conservative Party – seems to be that the young folk should be outside playing with hoops and the money spent on yet another self-regarding show by that charlatan Alan Yentob. It sure isn't going to be spent on combating anti-poor propaganda or examining political and financial shenanigans.

I thought a lot of BBC3 output was dross, or manipulative tosh. That's the point: there's plenty of BBC programming for me that the kids would jeer at. Now they're being pushed to the margins. The BBC, they're told, is not really for them. They can perch on the edges but they're not considered proper citizens or – dreaded word – stakeholders. What will they feel about the licence fee now? If I were them, I'd be furious. They pay up so that the rest of us can listen to Moneybox Live while they're left with a crappy website and that embarrassing insult to evolution we call Radio One. Support for the fee will disappear (a long-held Conservative fantasy now shockingly accepted by BBC planners) and so will any last dregs of support and affection for the only broadcasting network uninfected by the corruption of consumerism and advertising.

Nice work, BBC. You had one job…

Monday, 12 October 2009

TV on the radio

I bought a TV licence for the first time, a few days ago. I'm a big fan - £142 to cover many channels, more radio stations than one could ever listen to, and the transmission network for all the other stations. Most wonderfully, BBC services are wonderfully ad-free. Compared to the cost of Sky (for which you need a TV licence too), it's an utter bargain. 

So why do I feel slightly annoyed? Because since setting up the telly, I've only listened to Radios 3 and 4, and Nancy Elizabeth's Wrought Iron, which is hypnotic, late-night loveliness. 

Tuesday, 7 April 2009

Licence fee - whinge, whinge, whinge.

People sometimes whinge to me about the licence fee being a rip-off, or an unfair, compulsory tax. Never mind that it pays for 100+ radio stations, several TV channels - at least one of which will appeal to you - the World Service and the whole transmission system AND doesn't carry adverts.

Last night's BBC2 vindicated the licence fee for me (despite the Orwellian ads about paying up or being hunted down). Heroes, followed by some variable quality Mitchell and Webb, then Stuart Lee (he won't be appearing on commercial TV anytime soon), then a stunning Cancer Special Newsnight which didn't mention God or 'alternative' (i.e. evil, made-up preying on the vulnerable) medicine, followed by The Wire. Two of these are American shows - fine. They're good quality and cost millions of pounds per episode, and we get them for £140 per year.