Hi everybody. Apologies for the decline in blogging in case you miss my regular posts (tip: seek help). This is the busiest time of the year: essays and dissertations to mark. Hundreds of them. Good bad and spectacularly weird. This year, because we have a management team that hasn't been near a classroom in several decades, other urgent tasks have been added. With under a week's notice, we've been asked to propose PhD studentships (with a guaranteed job afterwards) and research projects to qualify for workload buyouts. So that's more forms, drafting, circulating, putting together supervisory teams, redrafting etc. ad infinitum. Even when they hit on a good idea, this place manages to screw it up by imposing arbitrary and ill-timed deadlines.
Even more inconveniently – especially to the deceased – I had a funeral to attend today. Jean was a stalwart of the nursing profession, one of those nurses who not only saved the lives of those for whom she cared, but brightened the lives of everybody she met, despite having a considerable amount of heartbreak thanks to losing her son David when he was only 28. The church was packed beyond capacity and the familiar cliché about celebrating a life rather than mourning a loss was for once entirely true. After five years of cancer's ravages, peace was what she wanted.
So here I am in the office at 7.30 in the evening, wearing my best suit and ready to mark some Shakespeare essays. Perhaps the professional garb will up my game. Despite the kind words of a French Philosophy colleague I bumped into, I am a living reproach to the tailor's art. However expensive and lovely the clothes (today I'm wearing Church Oxfords and an Aquascutum black 3-button suit with a Turnbull and Asser shirt), I always look like I acquired my wardrobe by robbing a clothes bank. In the dark.
Tomorrow I'll be wearing my regulation DMs, cords, v-neck jumper as though Belle and Sebastian never went away. I used to laugh at my boss, who told me he decided at 16 that he'd wear the same clothes for the rest of his life rather than worry about it (shirt, tie, jersey, blue blazer) and stuck to it. I've accidentally done the same thing - virtually everything I wear in public can be seen in the publicity shots for Blur's seminal Modern Life is Rubbish. (Though I don't agree that modern life is rubbish, by the way).
Clothes are difficult: teaching means being exposing yourself to the judgement of hundreds of people for whom clothes are important, whether it's students or the other Governors (and it's much harder for women, who are wrongly judged on appearance even more). I don't want to dress like them. I don't want to distance myself with a suit. It's important, I think, to convey to them that what we're interested in is the life of the mind rather than appearances. I tend to aim for utter anonymity. No extremes of style, nothing figure-hugging, muted colours, no artificial materials and no labels (I would make an exception for old band shirts but none of them fit anymore). If I find a good article with a label, I'll unpick it. If in doubt, I think of my colleague who turns up in patchwork clown trousers: nobody cares because he's a genius. My old philosophy tutor took a different approach: brown shoes, brown socks, brown suit, brown jersey, brown shirt, brown tie and brown hair. Accesorised with a brown Gladstone bag. Fully committed to brown, that man.
However… the older and fatter I get, the more I wish I could afford the kind of tailoring that conceals the more grotesque aspects of my ravaged carcass. I have one of my dad's suits from the early 70s. I don't know how much he was paid, but it's a work of art. Dark grey wool three piece, felted lapels, working cuff buttons, horn buttons, ticket pocket, tailor-made for him in Dublin. When I reached the same age he was when he had it made, it fitted like it was made for me. These days I couldn't get my fat fingers into the arm-holes (whereas he's lost so much weight he probably could wear it again) and there's no way on earth that I could afford a bespoke suit of the same quality. I did once get a tailored suit from one of those companies that measures people up in hotel rooms (this is not a euphemism). Though I paid extra for pure wool, I definitely didn't get it, and despite it being bespoke, it looks like I borrowed it from someone of entirely different proportions, and always did.
Ho hum. Back to the marking.
Showing posts with label funeral. Show all posts
Showing posts with label funeral. Show all posts
Tuesday, 3 June 2014
Friday, 22 February 2013
Back in the saddle
Hi everybody. Having attended two family funerals this week, I'm looking forward to an extended period in which nobody I know dies. You go carefully out there, you hear!
Before the second funeral, I took an evening off for a concert at Birmingham's Symphony Hall, with the wonderful CBSO. On the bill were Elgar's Falstaff, Prokofiev's Piano Concerto No. 2 and Respighi's The Pines of Rome. The Elgar and Resphigi were pretty enough, though rather drifting. The Prokofiev was nothing short of stunning though. Described in 1913 as 'barbaric', the piece swings from tender to brutal and back again. The soloist was Freddy Kempf: despite sporting a terrible floppy fringe, his rendition was one of the most passionate and convincing performances I've ever seen.
Here's somebody else doing it:
And next day it was off to my aunt's funeral, alongside a huge congregation including pretty much everybody I saw on Monday at my grandmother's requiem mass. As before it was dignified and moving… apart from the sermon, which made even my godless soul feel sorry for God, particularly when the priest described Jesus as 'chillaxing' with his friends. It reminded me of this awful (and, I hope, spoof) video.
And now it's back to work: got a two-hour lecture on modernism and the Bright Young Things to write…
Before the second funeral, I took an evening off for a concert at Birmingham's Symphony Hall, with the wonderful CBSO. On the bill were Elgar's Falstaff, Prokofiev's Piano Concerto No. 2 and Respighi's The Pines of Rome. The Elgar and Resphigi were pretty enough, though rather drifting. The Prokofiev was nothing short of stunning though. Described in 1913 as 'barbaric', the piece swings from tender to brutal and back again. The soloist was Freddy Kempf: despite sporting a terrible floppy fringe, his rendition was one of the most passionate and convincing performances I've ever seen.
Here's somebody else doing it:
And next day it was off to my aunt's funeral, alongside a huge congregation including pretty much everybody I saw on Monday at my grandmother's requiem mass. As before it was dignified and moving… apart from the sermon, which made even my godless soul feel sorry for God, particularly when the priest described Jesus as 'chillaxing' with his friends. It reminded me of this awful (and, I hope, spoof) video.
And now it's back to work: got a two-hour lecture on modernism and the Bright Young Things to write…
Tuesday, 19 February 2013
Facing the final curtain. Then coming back for Derrida.
Greetings, earthlings.
Hope you didn't miss me too much yesterday. I was at the first funeral of the week, my grandmother's. I won't give you a full review, but there were some lovely bits. Firstly, I liked the fact that even on the coffin plate, her name is given as Nancy rather than the official name she hated. I also liked the 'bless you' tissues my brother handed out, featuring a nun waving hankies. There were nuns present, and they were amused. I stayed away from the nuns. I have done ever since the Sisters of Mercy demonstrated their tender feelings towards me with various bats. But that's another story. I enjoyed hearing my gran's 90+ golf and bridge cronies gossiping behind me. They're all iPad owners and were extolling the joys of Skyping their children and grandchildren over the water ('it's just like being there without actually having to go there). The priest made everyone laugh with genuine, warm anecdotes of my grandmother rather than bland truisms. I enjoyed my mother discovering that my dad's cousins are her cousins too… which explains my extra toes. I enjoyed the tranquillity of the cemetery: lush greenery and a silence broken only by abundant bird-life. There was plenty of misery – how could it be otherwise, with us all assembling again on Thursday to bid farewell to my beloved aunt? – but there were jokes and smiles too. I even found comedy value in carrying her coffin out of the church. As my uncles and cousins are all monstrously overgrown behemoths, the coffin didn't even touch my shoulder: the best I could do was place my hands on the underside to make it look like I was sharing the burden! And despite the deep sadness, it was good to see relatives from several countries gathered to share their memories. 14 grandchildren, 3 great-grandchildren and cousins from all over the place.
And so back to work today: a two hour lecture on poststructuralism, Derrida and deconstruction (starting with the Socratic Dialogues) for the media students, then straight into a lecture and two hour seminar on Ben Masters's Noughties (ambitious, not entirely successful but very interesting campus novel) and its Romantic origins. I am properly exhausted. And not a little depressed that an appreciable number of English literature students aren't even ashamed enough of not reading the book to lie about it. All we ask is that you scrape up the enthusiasm to read literature. Is that too much?
Peter Tatchell was on campus today. Given that this morning's lecture featured me deconstructing the binary oppositions of heterosexuality and homosexuality (to the evident distaste of some conservative/religious students), I'd have quite enjoyed him bursting in to disrupt the proceedings. Instead, I indulged in the rather neatly circular exercise of discussing the manifestation of oppression through discourse then inviting the students to deconstruct my academic discussion of deconstruction. And away we floated on a tide of contradictory abstraction…
Almost forgot. The Hilary Mantel controversy. I subscribe to the London Review of Books and read the essay last week, so I'm more qualified to comment than either David Cameron or Ed Miliband, who are reacting solely to the Daily Mail's distorted trolling, and subscribing entirely to its agenda. I reckon I can also comment because I incorporated the whole affair into this morning's deconstruction lecture, demonstrating the Socratic point that words in print, they're out of the author's control. Mantel appears to be present in the text when in fact she's absent. I knew instantly that it would be picked up in the press and massively distorted. Mantel makes the point that royal princesses etc. instantly become symbolic, and b) instantly become blank slates on which the media inscribe their obsessions (too fat, too thin, too subservient, too pushy, too common, too haughty). Plus, Mantel doesn't seem very inspired by the current one's strength of character, though it's expressed with a considerable degree of sympathy.
This automatically translates as treason, especially when the Mail is on the warpath. Mantel knows this, which is why the lecture/article takes clear aim at the media. What does she have to say about confected media and political commentary?
Mantel's argument is brutally summed up in a South Park episode ('Britney's New Look'), in which Britney Spears is kept alive and working despite blowing most of her head off in a suicide attempt. It's explained to the boys that societies need sacrificial victims to ensure the harvest: the fates of Britney, Diana, Hannah Montana (next in the South Park version) and various other women in the public eye continues a longstanding tradition. Britney has to die. Kate's simply one more in the line.
Cameron is probably incapable of sustained abstract thought: his intelligence is tactical, that of the magpie. Perhaps he and Miliband have read the original article. Perhaps they understand it. But that's not the point any more. They have to be seen to condemn what the Mail says the article is about. Which is pretty demeaning. I can't imagine Atlee, Douglas-Home or MacMillan condescending to commenting about the Mail's faux-outrage or (as Blair did) issue a statement about Deirdre Barlow's upcoming trial (overseas readers: she's a soap opera character). They had work to do and expected the media to follow the government, not the other way round. I find it distasteful, even cynical, that politicians feel it expedient to spend time following their agenda rather than setting them. It just shows how intellectually limited they are. Perhaps worse: they may be deliberately suppressing their intellects in pursuit of headlines and votes. Nobody ever won an election pointing out complexity…
On the other hand, perhaps we should encourage Mr Cameron to comment on London Review of Books articles more often. Reading them would be good for him, and he'd have less time to spend flogging weapons, cutting disabled children's benefits and generally making this country a worse place for most of us to live in.
One more thing. Why is it always the women who get pilloried for this kind of thing? You won't be surprised to learn that the last time the LRB attracted the tabloids' ire, it was because Mary Beard said that:
What she means here is that 'this is what some people will think, especially given the way the US has behaved around the world''. But the tabloids magically transformed that into MAD UGLY BRAINIAC CHEERS ISLAMOFASCIST TERRORISM. Sometimes I wonder if the Mail and its friends subscribe to the Johnson line about intellectual women:
Hope you didn't miss me too much yesterday. I was at the first funeral of the week, my grandmother's. I won't give you a full review, but there were some lovely bits. Firstly, I liked the fact that even on the coffin plate, her name is given as Nancy rather than the official name she hated. I also liked the 'bless you' tissues my brother handed out, featuring a nun waving hankies. There were nuns present, and they were amused. I stayed away from the nuns. I have done ever since the Sisters of Mercy demonstrated their tender feelings towards me with various bats. But that's another story. I enjoyed hearing my gran's 90+ golf and bridge cronies gossiping behind me. They're all iPad owners and were extolling the joys of Skyping their children and grandchildren over the water ('it's just like being there without actually having to go there). The priest made everyone laugh with genuine, warm anecdotes of my grandmother rather than bland truisms. I enjoyed my mother discovering that my dad's cousins are her cousins too… which explains my extra toes. I enjoyed the tranquillity of the cemetery: lush greenery and a silence broken only by abundant bird-life. There was plenty of misery – how could it be otherwise, with us all assembling again on Thursday to bid farewell to my beloved aunt? – but there were jokes and smiles too. I even found comedy value in carrying her coffin out of the church. As my uncles and cousins are all monstrously overgrown behemoths, the coffin didn't even touch my shoulder: the best I could do was place my hands on the underside to make it look like I was sharing the burden! And despite the deep sadness, it was good to see relatives from several countries gathered to share their memories. 14 grandchildren, 3 great-grandchildren and cousins from all over the place.
And so back to work today: a two hour lecture on poststructuralism, Derrida and deconstruction (starting with the Socratic Dialogues) for the media students, then straight into a lecture and two hour seminar on Ben Masters's Noughties (ambitious, not entirely successful but very interesting campus novel) and its Romantic origins. I am properly exhausted. And not a little depressed that an appreciable number of English literature students aren't even ashamed enough of not reading the book to lie about it. All we ask is that you scrape up the enthusiasm to read literature. Is that too much?
Peter Tatchell was on campus today. Given that this morning's lecture featured me deconstructing the binary oppositions of heterosexuality and homosexuality (to the evident distaste of some conservative/religious students), I'd have quite enjoyed him bursting in to disrupt the proceedings. Instead, I indulged in the rather neatly circular exercise of discussing the manifestation of oppression through discourse then inviting the students to deconstruct my academic discussion of deconstruction. And away we floated on a tide of contradictory abstraction…
Almost forgot. The Hilary Mantel controversy. I subscribe to the London Review of Books and read the essay last week, so I'm more qualified to comment than either David Cameron or Ed Miliband, who are reacting solely to the Daily Mail's distorted trolling, and subscribing entirely to its agenda. I reckon I can also comment because I incorporated the whole affair into this morning's deconstruction lecture, demonstrating the Socratic point that words in print, they're out of the author's control. Mantel appears to be present in the text when in fact she's absent. I knew instantly that it would be picked up in the press and massively distorted. Mantel makes the point that royal princesses etc. instantly become symbolic, and b) instantly become blank slates on which the media inscribe their obsessions (too fat, too thin, too subservient, too pushy, too common, too haughty). Plus, Mantel doesn't seem very inspired by the current one's strength of character, though it's expressed with a considerable degree of sympathy.
This automatically translates as treason, especially when the Mail is on the warpath. Mantel knows this, which is why the lecture/article takes clear aim at the media. What does she have to say about confected media and political commentary?
'a compulsion to comment, a discourse empty of content, mouthed rather than spoken'It's additionally ironic that the newspaper which called Mantel's observation that women joining the royal family are there to breed (how can that not be true?) 'vicious' and 'venomous' is the paper which maintains a Kate 'bump watch'. The Media Blog has taken the time to compare what Mantel said and what the newspapers said she said (unsurprisingly, removing her criticism of their behaviour.
Mantel's argument is brutally summed up in a South Park episode ('Britney's New Look'), in which Britney Spears is kept alive and working despite blowing most of her head off in a suicide attempt. It's explained to the boys that societies need sacrificial victims to ensure the harvest: the fates of Britney, Diana, Hannah Montana (next in the South Park version) and various other women in the public eye continues a longstanding tradition. Britney has to die. Kate's simply one more in the line.
Cameron is probably incapable of sustained abstract thought: his intelligence is tactical, that of the magpie. Perhaps he and Miliband have read the original article. Perhaps they understand it. But that's not the point any more. They have to be seen to condemn what the Mail says the article is about. Which is pretty demeaning. I can't imagine Atlee, Douglas-Home or MacMillan condescending to commenting about the Mail's faux-outrage or (as Blair did) issue a statement about Deirdre Barlow's upcoming trial (overseas readers: she's a soap opera character). They had work to do and expected the media to follow the government, not the other way round. I find it distasteful, even cynical, that politicians feel it expedient to spend time following their agenda rather than setting them. It just shows how intellectually limited they are. Perhaps worse: they may be deliberately suppressing their intellects in pursuit of headlines and votes. Nobody ever won an election pointing out complexity…
On the other hand, perhaps we should encourage Mr Cameron to comment on London Review of Books articles more often. Reading them would be good for him, and he'd have less time to spend flogging weapons, cutting disabled children's benefits and generally making this country a worse place for most of us to live in.
One more thing. Why is it always the women who get pilloried for this kind of thing? You won't be surprised to learn that the last time the LRB attracted the tabloids' ire, it was because Mary Beard said that:
"However tactfully you dress it up, the United States had it coming. That is, of course, what many people openly or privately think."
What she means here is that 'this is what some people will think, especially given the way the US has behaved around the world''. But the tabloids magically transformed that into MAD UGLY BRAINIAC CHEERS ISLAMOFASCIST TERRORISM. Sometimes I wonder if the Mail and its friends subscribe to the Johnson line about intellectual women:
A woman's preaching is like a dog's walking on his hinder legs. It is not done well; but you are surprised to find it done at all.And they would rather it were not done at all.
Friday, 27 May 2011
Stop all the clocks
Well, we buried one of my grandmothers today. The one who passed away.
It was a sombre day. A raw wind chilled us at the graveside, and hymns in minor key accentuated the sadness.
Of the many touching and emotional images I'll retain for years to come, the sight of my brother-in-law on a trampoline particularly stands out.
It was a sombre day. A raw wind chilled us at the graveside, and hymns in minor key accentuated the sadness.
Of the many touching and emotional images I'll retain for years to come, the sight of my brother-in-law on a trampoline particularly stands out.
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