Showing posts with label Stoke. Show all posts
Showing posts with label Stoke. Show all posts
Tuesday, 7 February 2017
Bitter Northern Scum ©All Newspapers
Well, perhaps not all newspapers. The liberal ones will send their Toynbeebots up to the dreadful slums once every five years to wring their hands about why the proles are bitter fat racists. The rightwing ones will pay some toff to churn out 800 words from a golf course bar about why the proles are Speaking For Britain while still being Unwashed, fat, racist and northern.
What they won't do is spend any time there or ask whether the inhabitants of places like Stoke are reacting to a polity and economy that has absolutely no interest – whoever is in government – in managing the transfer from full, mass, employment (Stoke had potteries, coal and steel) to a post-industrial economy. The liberal ones send in the Tristrams now and then like ineffectual missionaries to explain why globalisation is brilliant and they have to get with the programme, and then wonder why the oiks fall for the constant stream of racist bile delivered in simple words by the right. And poor old Labour has to run an election campaign with the lotto voce slogan 'We know Tristram was a selfish prick who ran away at the first sniff of a canapĂ©, but this time it'll be different'.
There's a distinct air of David Attenborough about the media and state's attitude towards places like Stoke, except that he loves his subjects while they are embarrassed by or cynical about those left-behinds. Poor old Stoke - hard to find a babycino or a hedge-fund trader there. What hope do they have? For the people of Stoke, politics is like the weather: it happens to them and there's nothing they can do about whatever is thrown their way.
Tuesday, 10 November 2015
A weekend of culture in Stoke on Trent.
Needing a few days of proper culture, I spent the weekend in Stoke-on-Trent, where Culture is never hard to find, despite what some of you London/New York/Paris inhabitants might mutter into your flat whites. If you don't believe me, here's visual proof.
On Friday, I went to the New Victoria Theatre for Northern Broadsides' in-the-round production of A Winter's Tale, that trickiest of Shakespeare comedies. It's a hard one to perform because it feels like two plays rammed together. In one story, the jealous king suspects his virtuous wife of infidelity with his best friend, so he orders his new-born daughter to be left outside to die and his friend King Polixenes to be poisoned. His wife dies of horror in prison, and his other son dies too. It's all very Othello - claustrophobic and vicious.
Then in subsequent acts set 16 years later, we have a lot of rustic songs, yokel humour and lusty gags as we watch unpoisoned Polixenes spy on his son, who is wooing a gorgeous peasant girl. It's all good fun until the boy tells his disguised father that he's going to marry the girl whatever Daddy might say. They have to flee…back to jealous Leontes's kingdom. It soon transpires that not only is the buxom wench his supposedly dead daughter, but his wife Hermione is alive and well: she'd only 'swooned' all those years ago. Now Leontes feels bad about killing his family and has suffered enough, he gets them all back, marriages are arranged and they all live happily ever after. So as I say, structurally a bit lumpy, but they made it work magically at the New Vic. Look out for it on tour.
The next day, I took a wander around the British Ceramics Biennial, which displays the very best in art pottery to trendy cosmopolitan types slumming it in The North. It's held in the rotting carcass of the Spode pottery works, soon to be transformed into something or other as part of the endless regeneration efforts to which the city is regularly subjected. Some years the ceramics on view are astonishing, sometimes they're banal or irrelevant. This year they were a very mixed bunch. But I took some photos of the venue and a few of the more interesting elements. Click on these to enlarge or see the whole lot here.
It turned into an expensive afternoon: I bought six beautiful and interesting books for £1.20, then dropped my camera, breaking my 50mm lens. Argh. Still, it meant I could in all good conscience but the f/1.4 lens to replace the f/1.8…
On Friday, I went to the New Victoria Theatre for Northern Broadsides' in-the-round production of A Winter's Tale, that trickiest of Shakespeare comedies. It's a hard one to perform because it feels like two plays rammed together. In one story, the jealous king suspects his virtuous wife of infidelity with his best friend, so he orders his new-born daughter to be left outside to die and his friend King Polixenes to be poisoned. His wife dies of horror in prison, and his other son dies too. It's all very Othello - claustrophobic and vicious.
Then in subsequent acts set 16 years later, we have a lot of rustic songs, yokel humour and lusty gags as we watch unpoisoned Polixenes spy on his son, who is wooing a gorgeous peasant girl. It's all good fun until the boy tells his disguised father that he's going to marry the girl whatever Daddy might say. They have to flee…back to jealous Leontes's kingdom. It soon transpires that not only is the buxom wench his supposedly dead daughter, but his wife Hermione is alive and well: she'd only 'swooned' all those years ago. Now Leontes feels bad about killing his family and has suffered enough, he gets them all back, marriages are arranged and they all live happily ever after. So as I say, structurally a bit lumpy, but they made it work magically at the New Vic. Look out for it on tour.
The next day, I took a wander around the British Ceramics Biennial, which displays the very best in art pottery to trendy cosmopolitan types slumming it in The North. It's held in the rotting carcass of the Spode pottery works, soon to be transformed into something or other as part of the endless regeneration efforts to which the city is regularly subjected. Some years the ceramics on view are astonishing, sometimes they're banal or irrelevant. This year they were a very mixed bunch. But I took some photos of the venue and a few of the more interesting elements. Click on these to enlarge or see the whole lot here.
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| Molten clay churning in a bowl |
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| The crockery vending machine, with a stone in the bottom to make sure your choice is properly smashed. I liked this one a lot. |
Afterwards, I wandered over to the Minton Centre, a high Victorian piece of municipal beneficence. Building on the local Athenaeum Club which provided a library and museum, the Centre added a free library, baths and other civic amenities for the public, funded by the local pottery owners and decorated to display the best of the city's skills. Over the years its function changed – the basement became a canteen for Minton's workers at one point – before the council abandoned it, then sold it for £128,000(!) to a private investor who hasn't quite decided what to do with it but is well-disposed to the place. I've always wanted to see inside, and this was the first chance ever.
It was fascinating. The old canteen was decorated with tiles from various Minton ranges designed to Improve the Mind: Biblical, Shakespearian, Tennyson's Arthurian Idylls of the King and Spirit of the Flowers scenes (as you'll see, the flowers are all topless women: those Victorians) and the Rustic Humours series, most of which are seriously rare (and valuable) now. More of them here. Many of the external reliefs have been wrecked by acid rain, while the internal decoration has suffered too - some of the tiles even have drill holes through them, having been hidden under layers of wallpaper for decades.
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| The Minton Centre |
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| Free Libraries |
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| Excalibur |
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| The tiles uncovered in the old potters' canteen |
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| A selection of commercial china makers' marks |
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| The state of Stoke's cultural heritage |
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| Ignorance, from the Rustic Humours series |
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| The slightly disturbing pixies series |
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| The Frog Prince from the fairy stories series |
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| Water Lily. Your interpretations are entirely your own problem |
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| Isolt (Isolde, Yseult etc.) from the Arthurian Idylls of the King series |
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| La Morte d'Arthur |
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| A young Joseph Chamberlain - an early piece of political memorabilia |
It turned into an expensive afternoon: I bought six beautiful and interesting books for £1.20, then dropped my camera, breaking my 50mm lens. Argh. Still, it meant I could in all good conscience but the f/1.4 lens to replace the f/1.8…
Wednesday, 14 May 2014
I like to ride my bicycle
…but more than that, I like to watch athletes ride their bicycles, before I go for a slap-up feed. Last night I went along to the women's Grand Prix and men's Classic held in Stoke. I missed all but the last lap of the women's event (thanks to work) but saw all the men's race. It was a beautiful sunny evening, the circuit included lots of tight corners and short climbs, so there lots of opportunities to take pictures in between drooling over stunning – and stunningly expensive – bikes and fellow spectators' cameras. There was a decent crowd ranging from passers-by to the local Coppis and Hinaults (well, they had the kit…).
Here are some of my favourite shots: click to enlarge. The whole set is here.
Here are some of my favourite shots: click to enlarge. The whole set is here.
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| Women's race celebration |
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| I like the expression on the guy in the middle |
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| I tried a few of these blurred shots, but they're not easy without a tripod |
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| Look out for the dog, which really makes this picture and a couple more |
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| The pain starts to show as the race draws to a close |
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| Pointed looks in the peloton |
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| More pained expressions |
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| Local heroes |
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| Jon Mould aims for the line, having lapped almost every rider early on |
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| This breaks all the rules but it somehow works |
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| Jon Mould, race winner |
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