The Death of Werther |
It's also one of the key texts for European Romanticism: the idea that truth is internal and emotional rather than public and rational reached a wide readership here, and it popularised the concept of adolescence as distinct period of one's life. It set off a wave of imitators and fans: people bought 'Werther' clothes and trinkets: some even supposedly killed themselves in homage to their hero. If the Daily Mail had been around at the time, it would undoubtedly have tried to spark a moral panic about this SICK FILTH. Just like this one. So I'm hoping that this novel strikes a chord with the students.
The learned Professor Ben Knights (whom I quoted extensively in my PhD and with whom I'm Twitter friends) directed me to this sharp-tongued response to Werther by the English novelist Thackeray:
WERTHER had a love for Charlotte | |
Such as words could never utter; | |
Would you know how first he met her? | |
She was cutting bread and butter. | |
Charlotte was a married lady, | 5 |
And a moral man was Werther, | |
And for all the wealth of Indies | |
Would do nothing for to hurt her. | |
So he sigh’d and pin’d and ogled, | |
And his passion boil’d and bubbled, | 10 |
Till he blew his silly brains out, | |
And no more was by it troubled. | |
Charlotte, having seen his body | |
Borne before her on a shutter, | |
Like a well-conducted person, | 15 |
Went on cutting bread and butter. |
Teaching's going really well at the moment. Yesterday's second class on Trollope's The Way We Live Now was great. At least, I thought it went really well, whether the class thought so too is a different matter. But they'd all finished or nearly finished this 900 page novel and really knew what they were talking about: comparisons with previous generations' fiction, cultural context, close analysis: they were all there. Next week we start Evelyn Waugh's Vile Bodies, which in many ways inherits more than you'd think from staid old Trollope. They've already started reading it and seem to be enjoying it. After that, I hit them with some 1930s proletarian stuff in total contrast. If they can get copies, then it's Gwyn Thomas's Sorrow for thy Sons. If not, then Lewis Jones's Cwmardy. Having written my PhD about them (and Llewellyn's How Green Was My Valley), I should be able to drone on for two weeks about either of them.
3 comments:
Having both Vile Bodies and Sorrow for their Sons in my bookcase, and not yet read, what should keep in mind? Or which books would you recommend for background reading?
Hello. DJ Taylor's Bright Young Things is perfect for Vile Bodies (which it mentions frequently). Sorrow is a classic of proletarian literature: 3 sons with different paths trapped in stasis by capitalism and an oppressive state. Masculinity is an important facet too.
Ta, Voley! Will keep that in mind.
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